
Photo by Neil Tilbrook, CC BY 2.0
The second show court — 11,000 seats, retractable roof, and where the best first-week matches usually end up
No. 1 Court sits directly behind Centre Court, reached through the same gate complex, and is easy to underrate. The naming — it's No. 1 in sequence, not prestige, a historical convention — contributes to this. But with 11,430 seats, a retractable roof installed in 2019, and floodlights that allow play until 11pm, it's a fully modern stadium that regularly hosts better matches than the one next door.
The reason is the draw. Centre Court is where the top seeds play their openers — the marquee names scheduled early to move them through the first week without drama. By rounds two and three, the defending champion might be on Court 1 playing someone who's pushed their way into genuine contention. The seeds who enter the draw at round two, ranked 9 through 32 and often the most dangerous players in the bracket, find themselves here for exactly the matches where things go wrong. That's frequently where the tournament's most interesting tennis happens.
The seating geometry is different from Centre Court. The court sits slightly more enclosed, and the debenture seats — occupying the front 17 rows — are positioned at roughly a 45-degree angle to the playing surface rather than directly end-on or side-on. A significant number of regular Wimbledon attendees regard this as the best live perspective for watching tennis: you see the whole court at once, the angles, the movement, the positioning before a player has decided what to do next. Things that disappear from a camera frame or a straight sideline view are visible from this angle.
Like Centre Court, the roof closes in around ten minutes when rain arrives. Both courts have floodlights for evening play. On days when the schedule runs into the evening — common in the first week, when rain on the outer courts compresses the programme — No. 1 Court can run until 11pm. Night tennis at Wimbledon, under lights with the roof sealed, has a particular quality that sunny afternoon sessions don't. The crowd stays. The atmosphere tightens. The light is different.
Getting in follows the same routes as Centre Court: the public ballot (same annual application, same approximate odds, court and day assigned randomly), the Queue (a portion of day tickets released each morning), and the debenture resale market. Debenture pricing is considerably lower: £875 for doubles matches in the second week, up to £2,390 for Quarter Finals. Still significant, but meaningfully different from Centre Court equivalents.
The honest comparison: Centre Court carries the history, the Royal Box, the ritual. No. 1 Court has the better first-week matches more often than people expect, a viewing angle that experienced Wimbledon-goers specifically seek out, and a price — across every route in — that reflects its lower profile without reflecting its quality.
Why it's special
There's a tendency, among people who haven't been to Wimbledon, to treat any ticket that isn't Centre Court as a lesser thing. The naming doesn't help — "No. 1 Court" sounds like second place. It isn't.
No. 1 Court is where the tennis is often more interesting. The draw sends established names to Centre Court for tidy first-round wins; Court 1 gets the players doing something, working their way through a quarter of the draw where anything can happen. The 2025 Championships made this case on Day 1. Women's world No. 2 Coco Gauff — then the reigning French Open champion — walked onto No. 1 Court against Dayana Yastremska and walked off having lost 7-6(3), 6-1. Gauff made nine double faults and 29 unforced errors. The biggest seed to fall in the first two days of the tournament, gone in a round where Centre Court had no comparable shock.
On the same court, same fortnight: fifth seed Taylor Fritz trailed two sets to love against Giovanni Mpetshi Perricard, who had just recorded the fastest serve in Wimbledon history at 153mph. Fritz was then 1-5 down in the fourth-set tiebreak, two points from elimination, before winning seven of the next eight points to force a decider. Fritz took the fifth set and survived. Mpetshi Perricard's serve record stands. Neither of those matches happened on Centre Court.
The 45-degree viewing angle matters more than it sounds. You're not watching through a camera lens or from directly behind a baseline — you're reading the whole court at once. The movement patterns before the ball is struck, the serve directions, the way a player positions themselves before they know where the next shot is going: all of this is visible from that angle in a way that a conventional sideline view doesn't provide.
Practically: the queue for No. 1 Court runs shorter than Centre Court on most days. The debenture lounge access is the same. The tennis is frequently as good. The ticket price, whether ballot face value or debenture resale, is meaningfully lower. For a first-time Wimbledon visitor who receives a No. 1 Court ticket in the ballot, this is not a consolation prize.
Debenture seats in the front 17 rows sit at a 45-degree angle to the court — many experienced Wimbledon regulars consider this the best live perspective for reading tennis.
Floodlights allow play until 11pm; check the order of play for evening sessions, which have a different atmosphere from afternoon matches.
The Queue releases Court 1 day tickets each morning alongside Centre Court — expect a shorter line, though demand grows in the second week as doubles finals move here.
The first Friday (Day 5) and first Saturday (Day 6) of the Championships are the best days for No. 1 Court — rounds 2 and 3 are in full swing, the draw is still packed with top seeds, and the matches here often outshine Centre Court for sheer competitive intensity.
The ballot covers both Centre Court and No. 1 Court in the same application — court and day are assigned; you cannot specify a preference.
Don't treat a No. 1 Court ticket as a fallback — rounds 2 and 3 scheduled here regularly feature better competitive tennis than Centre Court on the same day. Don't assume the Queue for Court 1 is proportionally shorter in the second week; as doubles finals and mixed events move here, demand patterns shift. Don't sit expecting a straight end-on view — the geometry places you at an angle regardless of your seat; the viewing perspective is a feature, not a limitation.